OK. So its been a while since I posted anything. Needless to say, my blog coach and I are no longer on speaking terms. She fired me. I told her that the pre-exhibition painting frenzy is antithetical to the idea of putting yourself out there in words, but she was having none of that. It was a lie anyway: There hasn’t been any painting frenzy. Instead, your painter has been sinking in a quicksand of incessant domestic trivia while his career slowly goes down the plug. As an antidote, I headed for Cape Town to look once more for the elusive Lion’s Head site.

J H Pierneef. Lion's Head. Oil on canvas

My first search for this site took me near the waterfront, and I ended up in the offices of Transnet down by the docks. (Transnet, coincidentally, are the owners of the Station Panels.) A man told me that the reason I couldn’t find this site is that it no longer existed. In the 1930s this had been the Roggebaai Harbour, and it had been reclaimed in the 1940s. There is a picture of this view in reverse:

the reverse angle c 1930

Those boats and the warehouse roofs on the left clinch it as far as I am concerned. Pierneef must have taken his view of Lion’s Head from drawings done on the pier. Today this is in the vicinity of the Dias Circle, in Lower Heerengracht Road, near the monster called the Convention Centre.

not a lot

There isn’t a lot of Lion’s Head to be seen from this neck of the woods, and although I reckon one can conjure a meaningful painting from just about anything, this didn’t do it for me. I needed elevation, and so the next day after having breakfast with my old studio china Dave Rowett, we headed for a roof. I spent a lot of time painting from roofs in Jo’burg, but this was my first Cape Town roof. The Metropolitan building stood tall in the line of sight. The security guy let us in after a few questions. “Net nie spring nie kerels, dan is EK in die kak!” We went up to the 26th floor. It was the shortest day of the year, but balmy and cloudless. The profile of Lion’s Head seemed to perfectly match the original painting. Below us stretched a jumble of Post Modernist structures, but no trace of any of Henk’s buildings. We doodled on sketchpads whilst the panorama of Table Mountain lay resplendent before us. This job is hell, dear reader, but somebody has to do it.

Damaraland Dave on the 27th floor