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Mr Miles
Deep in the hinterland of the Overberg there is a hamlet called Baardskeerdersbos. Every Autumn and Spring, the resident artists open their doors for the B’bos Art Route. The visitor will see a mixed bag of creativity, from woodworking to pottery and quilting. The kingpins, however, are Joshua Miles and Niël Jonker, and I always look forward to seeing what they’ve been up to. Joshua Miles is now recognised as one of our best exponents of the woodcut. His colour prints of landscape and pastoral life are alluring little gems. Recently he has moved to a more monochrome spectrum. The work seems to suggest a dialogue between a very old printmaking technique and its modern cousin, the digital image, where the old medium is simply far more intriguing than the new. (Pierneef, a brilliant printmaker, would have been interested.)
the tonal woodcut
B’bos has been in existence for many years, for no obvious reason as far as I can tell. In the late 1600s a party of sleeping explorers had their beards trimmed by scary looking spiders – hence the name. Since the artists moved in and yuppie art buyers followed, property prices have risen. There’s a division of sorts between the new and old inhabitants, who can still be seen around town on their donkey carts. They looked friendly, but I moved quickly on because as a teenager I saw Deliverance and I know how nasty those hillbillies can be .
the moment captured
Niël Jonker has been painting the Overberg region for a few years now. He paints outside, on the spot. This takes some courage. Once you’ve found your site and set up your kit, you find your subject changing with the light. You have to work fast, there are flies buzzing around you, it’s hot, and the wind keeps blowing sand into your palette. Strange then, that this difficult and noble business has come to be seen as the domain of the amateur. (What serious young art student would be caught en plein air with brush in hand? Uncool!) Mr Jonker, who makes a mean loaf of ciabatta bread, has recently turned his hand to sculpting. The bronzes in his garden suggest a significant talent there too.
Mr Jonker
In an artworld full of hype and commercialism, the B’bos Art Route offers a glimpse into a rare authenticity. These artists are committed to place and practice – and their homes and families are evidence that they are thriving. Vorentoe, B’bos kêrels!
Pierneef’s woodcut of the Hermanus old harbour. His graphic output – woodcuts and linocuts – was huge, and all of it of very high quality.
old harbour, woodcut. c1931
See my post Down South (below) for a look at his painting of the same. It still looks like this – except for the boats which were washed away in a storm in 2008. And even though the camera tells us the buildings are much smaller, this is far more ‘realistic’. Perhaps it reinforces what we choose to remember? Or reassures us that we are imposing ourselves on Nature?
Travels with Pierneef 